Download The Traveling Companion & Other Plays (New Directions Paperbook), by Tennessee Williams
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The Traveling Companion & Other Plays (New Directions Paperbook), by Tennessee Williams
Download The Traveling Companion & Other Plays (New Directions Paperbook), by Tennessee Williams
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From Booklist
Most of the shorter plays contained in The Traveling Companion were never produced during Williams’ lifetime; some remain unproduced. All illustrate Williams’ restless creativity. Never content to settle on a trademark style—to the consternation of those who liked the slightly heightened realism of his most famous plays—Williams persistently experimented. The moving one-act, The Day on Which a Man Dies, finally produced this year, borrows elements from Japanese Noh drama to illustrate the final days of a once-great, now suicidal artist coping badly with the loss of his creative powers. The poetic but laconic, postapocalyptic The Chalky White Substance clearly owes a debt to Samuel Beckett. Not all of Williams’ attempts are successful, yet there is something of value even in his half-baked pieces. Readers who know about Williams’ life may find the title play, about the dysfunctional relationship of an elderly gay man and a handsome but opportunistic young man, especially poignant. --Jack Helbig
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“"... a fun, surprising read"†- Anne Fidler, Splice Today
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Product details
Series: New Directions Paperbook
Paperback: 352 pages
Publisher: New Directions; First Edition edition (April 17, 2008)
Language: English
ISBN-10: 9780811217088
ISBN-13: 978-0811217088
ASIN: 0811217086
Product Dimensions:
5.2 x 1 x 8 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#948,267 in Books (See Top 100 in Books)
The plays in this piece are really good, but you have to let go of expecting to get the forgotten "Streetcar" or "Menagerie." These are raucous, outrageous, political, and very non-realism that Tennessee Williams was writing in post 1961. I'm taking a class with the editor, Annette Saddik; she is very knowledgeable and you can tell she put hours into configuring and these works from multiple draft for this edition.
These late plays by Tennessee Williams explore a strange territory frequently reminiscent of Theater of the Absurd. As ridiculous as they self-consciously are, however, I found them surprisingly affecting. As much as you might laugh at the over-the-top nature of a play like "A Cavalier for Milady," you might find yourself wiping away a tear at the end.
This is a series of plays that were written in the latter stages of Williams' career and tend to be short and more succinct. The title says it all; these aren't his most popular of plays, his style changed a lot during his time as a playwright and Williams continued to evolve as he wanted rather than as people wanted him to do. None of these plays is a "Streetcar named Desire" or "Glass Menagerie" but they are William's work and worthy of a read even if they are very American.
All the Tennessee Williams books have been purchased for a dissertation. I have bought anything on him.Yadah, Yadah, Yadah to fulfill the stupid word count restrictions
A worthy read for anyone interested in Tennessee Williams but otherwise, don't bother. "Bad Williams is better than others' good" is not true. He wrote a lot of crummy stuff.
This volume contains mostly later plays by Tennessee Williams, many published for the first time and many only recently performed. They are not his best, but worth looking at if you are a student, enthusiast, or have a serious interest in Williams.Perhaps the best play in the collection is "The Day on Which a Man Dies" (1957-1960). It shows the breakdown and end of a troubled artist, with very well crafted dialogue. Williams developed this situation again in the 1969 play "In the Bar of a Tokyo Hotel" (this is not mentioned in the notes); the Man and Woman in the earlier play become Mark and Miriam, the Japanese law student becomes a Japanese barman."The Parade, or Approaching the End of a Summer" (1940, 1962) is a poignant autobiographical piece based on Williams' experience of falling in love in the summer of 1940 in Provincetown (another theme that Williams took up again in a later play, "Something Cloudy, Something Clear"). The young woman with hallucinatory visions in "A Cavalier for Milady" recalls Williams' sister Rose and Laura in "The Glass Menagerie," but the outrageous and funny elements in this play counteract the sadness of her situation. "The Traveling Companion" reflects Williams' relationships with sometimes meretricious younger men.This collection includes avant-garde and experimental pieces which are harder to digest than the famous and successful plays of the 1950s, and some people will find them bewildering. There is more open cruelty and brutality and little or no plot line or character development. "The Remarkable Rooming-house of Mme. Le Monde" is freakish and disturbing, with plenty of shock value and flat, nihilistic, id-driven characters. The landlady's name suggests that this rooming-house (we see an eerie room with hooks) represents the world. This play might be hard to watch in performance. "Kirche, Küche, Kinder" is a more successful exploration of the absurd; it subverts religion and family values (but not cooking, as the title might lead you to believe); it is campy, funny, and outrageous, and plays creatively with language."The Chalky White Substance" is a truly frightening piece set in a future world after a major nuclear war. Williams was as perceptive and honest as Dostoevsky or Freud in looking evil and the darkest elements of human nature squarely in the face. The notes in the front endpaper of the book (it's not clear who wrote them) suggest that the play "Will Mr. Merriwether Return from Memphis?" is a self-parody; I have to disagree. It shows that Williams, even in his later period, had not lost his romanticism.The notes to the plays are informative and welcome, since some of the previous volumes of Williams published by New Directions include little or no information about the genesis of the plays or manuscripts. There are a few omissions and errors. Jackson Pollock's name should be spelled, well, Pollock.While not Williams' best, these plays give us a fuller picture of his extraordinary creativity and imagination. Most of them have moments that shine with the characteristic Tennessee Williams gold. It's good to see them get into print. Let's hope that New Directions continues to publish the still unpublished Williams material. There are probably still many small unpublished gems waiting for readers and audiences.
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